Katherine Anne Porter and Eudora Welty

Some time ago, Tessa Hadley suggested that we explore one of Eudora Welty’s female alliances. When blog reader Elizabeth Ahlstrom also wrote to us to mention Katherine Anne Porter’s mentorship of Welty – a fellow writer from the Deep South – we were further intrigued.

This literary bond particularly piqued our interest since we have long felt indebted to the authors who took us under their wings when we were starting out. And, more recently, we thanked our lucky stars when Margaret Atwood generously agreed to write the foreword to A Secret Sisterhood: The hidden friendships of Austen, Brontë, Eliot and Woolf.

Katherine Anne Porter’s lifestyle, roaming from place to place and lover to lover, bore little resemblance to that of Eudora Welty, who returned to her family home in her early twenties and remained there unmarried until her dying day.

But, a few years later in the late 1930s, when the middle-aged Porter came across Welty’s short stories in the Southern Review, she knew she had found a kindred spirit in the twenty-eight-year-old.

The two women shared a deep admiration for the work of Jane Austen, Virginia Woolf and Katherine Mansfield, and, as Southern writers, they considered themselves ‘bathers in the same sea’. Here, felt Porter, was a talent to nurture.

Welty never forgot the helping hand she received from the more established writer, looking back with wonder at her first letter from Porter, which seemed to come ‘out of the clear blue sky’. Porter invited the younger woman to visit her in the two-room apartment she shared with her third husband in Baton Rouge, Louisiana – 150 miles south of Jackson, Mississippi, where Welty lived with her mother in their large mock Tudor home.

It took Welty six months to gather the courage to take Porter up on the invitation. She twice got halfway there before turning back. But, one midsummer day in 1938, mutual friends drove her down to Porter’s home, where she enjoyed a convivial evening, the open windows letting in a welcome breeze as she listened intently to the conversation.

True to her word, Porter went out of her way for the modest, young writer, nominating her for a Houghton Mifflin Harcourt award, introducing her work to Ford Madox Ford, and inviting Welty to accompany her to Yaddo – a prestigious artists’ colony in Saratoga Springs, Upstate New York.

Katherine Anne Porter (left) and Eudora Welty (right) at Yaddo in 1941                                                                                    © Eudora Welty LLC; courtesy Welty Collection, Mississippi Department of Archives and History.  All Rights Reserved. The Eudora Welty Foundation.

At Yaddo it became clear that the outwardly shy Welty shared with her glamorous mentor a love of socialising and a knack for friendship. Neither woman got much work done during their two months together because they could not resist the temptations of companionship: Welty tried to teach Porter to drive and they made excursions to view the renovations at the nearby colonial home that the recently-divorced Porter had just purchased.

That summer, Porter did begin work on a foreword to Welty’s first collection of short stories, A Curtain of Green – an act that Porter herself predicted would add $10,000 to the book’s sales. But the gesture was not without its complications. Porter, who had always struggled with deadlines, failed to turn it around on time. Welty chose to postpone the publication date rather than chivvy on her mentor, and the book did eventually come out complete with Porter’s promised foreword.

Their bond would always combine the literary and the social. One of Welty’s abiding memories of Porter was an evening they spent together in the late 1970s. By this stage, both women had been awarded Pulitzer Prizes and Porter would soon honour her protegée by presenting her with a gold medal from the National Institute of Arts and Letters – an occasion for which Porter had prepared months in advance with the purchase of an Italian silk pant suit.

Despite recovering from cataract operations and suffering with a broken hip, the eighty-four-year-old spent all morning cooking for her friend. The pair began with spears of asparagus, butter melting onto their fingers, followed by ‘dainty catfish fingerlings’, which they ate using golden cutlery. They finished up with strawberries and champagne, celebrating and chatting all afternoon.

When Porter died at the age of ninety, Welty took a group of friends out for a crab supper after the memorial service so that they could reminisce in a style that would capture Porter’s spirit. And Welty looked back on her bond with Porter more publicly too. She wrote a tender essay about it for the Georgia Review, and her introduction to the Norton Book of Friendship conjures up the way friends give tribute to one of their group who has passed away: ‘As if by words expressed they might turn friendship into magic, the magic that now, so clearly, it had been.’

An Invitation to our Female Literary Friendship Event at the British Library, July 11 2017, 7.15-8.30pm:

We are honoured to be sharing a stage with novelist Kate Mosse, the founder of the Women’s Prize for Fiction, and her friend, the biographer Rachel Holmes. We will be talking about the friendships that we have explored in A Secret Sisterhood and they will be sharing details of their own literary friendship.

If you are free, we would love to share the occasion with you too.

Tickets can be reserved by calling +44 (0)1937 546546 or emailing boxoffice@bl.uk

The Maternal Line

When we began to work on this month’s challenge to create a ‘family tree’ showing the literary ancestral lines that we’ve traced on the site, we soon realised that we couldn’t possibly accommodate all the intertwined connections between the forty-five authors we’ve profiled so far.

Instead, we decided to focus on the literary forebears and successors of just four of our favourite novelists: Jane Austen, Charlotte Brontë, George Eliot and Virginia Woolf. You’ll need to click on the image and zoom in to read it.

The Maternal Line

Our literary family tree includes the following connections:

Jane Austen

  • George Eliot re-read Austen novels prior to writing her own.
  • Eliot’s partner, George Henry Lewes, was a vocal fan of Austen.
  • Charlotte Brontë couldn’t understand what Lewes saw in Austen’s work.
  • Virginia Woolf called Austen ‘the  most perfect artist among women’.
  • Katherine Mansfield described Woolf’s Night and Day as ‘Miss Austen up to date’.
  • Mansfield and her husband read Jane Austen together. Mansfield admired Austen’s abilities to plot novels.
  • Elizabeth Bowen wrote a BBC programme about Austen’s life.
  • Iris Murdoch counted Mr Knightly as her favourite fictional character.
  • Austen fantasised that her friend, Anne Sharp – a governess and amateur playwright – might marry her employer.

Charlotte Brontë

  • In Jane Eyre, Brontë fictionalised the kind of scenario Austen had dreamed of for Sharp.
  • Brontë’s lifelong feminist author friend, Mary Taylor, helped Elizabeth Gaskell with the first biography of their mutual friend.
  • Harriet Beecher Stowe claimed that Brontë appeared to her from beyond the grave.
  • Woolf claimed that Brontë ‘will write in a rage when she should write calmly’.
  • Woolf felt that Austen had ‘less genius’ than Brontë but ‘got infinitely more said’.
  • Jean Rhys’s Wide Sargasso Sea is a prequel to Jane Eyre.
  • Daphne du Maurier’s Rebecca owes a debt of gratitude to Jane Eyre.
  • Du Maurier wrote a biography of Brontë’s brother, Branwell.
  • The young Maya Angelou found the experience of reading the Brontë sisters inspiring and empowering.

George Eliot

  • Gaskell found Eliot’s unmarried status an impediment to friendship.
  • Woolf described Middlemarch as ‘one of the few English novels written for grown up people’.
  • Woolf also felt that Eliot ‘committed atrocities’ by aping masculine prose.
  • Rhys’ friend, Eliot Bliss, chose her pen-name as a mark of respect for both George Eliot and T.S. Eliot.

Virginia Woolf

Katherine Mansfield

  • Du Maurier’s night nursery directly faced Mansfield’s bedroom.
  • Du Maurier corresponded with the younger author, Oriel Malet, and the pair shared their love of Mansfield’s work in their letters.

Activity

One of our readers, Sarah Emsley, offered us the perfect excuse to re-read Jane Austen’s Emma as she is hosting Emma in the Snow – an online celebration of the bi-centenary of its publication. Our piece will go live on her site on January 1st, and we’ll also post a conversation between the two of us about the novel here on Something Rhymed. We’ve had such fun reacquainting ourselves with this novel – an old favourite.

If you are looking for a holiday read, we’d love you to choose Emma so that you can share your thoughts with us in the new year.

In the meantime, we both hope that you have a peaceful holiday and that 2016 is full of creativity and friendship.

Cruelty and Consolation – Katherine Mansfield and Virginia Woolf

Last week, Emily posted a video in which she spoke about the role of consolation (and neglect) in the friendship of George Eliot and Harriet Beecher Stowe.

In my video, I’ve chosen to reflect on the dynamic between kindness and cruelty in the relationship between Katherine Mansfield and Virginia Woolf.

These are topics we’ll be returning to in greater detail during our lunchtime lecture on December 3rd at New York University – London. We’ll provide more details nearer the time but we do hope that some of you can make it.

Taking Stock

Seven months into our yearlong quest to discover the friendships enjoyed by famous female authors, it seems a good time to take stock.

Creative Commons License
Creative Commons License

We had the chance to do just that when we were asked to write a double page spread for the Independent on Sunday and a guest post for Writers and Artists.

When we first mooted the idea of Something Rhymed, we couldn’t have named twelve sets of famous female writer pals of old. We had no idea that Jane Austen risked her family’s disapproval by forging a radical relationship with a playwright who was one of the family’s servants. Who’d have thought that the mythically reclusive Emily Dickinson was a lifelong friend of the bestselling novelist Helen Hunt Jackson? As for Katherine Mansfield and Virginia Woolf, we’d heard that they were enemies.

But once we set up this blog, so many of you gave us such great tip-offs about women’s partnerships that it’s become tough to choose who to profile. We’ve become increasingly curious, therefore, about why such fascinating relationships have been misrepresented or written out of literary lore.

In our guest post for Writers and Artists, we put forward some of our theories on this.

We initially wondered whether these female alliances got overlooked because they were most often carried out within private domestic spheres. Unlike Charles Dickens and Wilkie Collins, Jane Austen and Anne Sharp never visited risqué music halls together; unlike F. Scott Fitzgerald and Ernest Hemingway, Charlotte Brontë and Elizabeth Gaskell never chronicled joint drinking binges in their published writings.

Even more significant, perhaps, is that whilst most of these men’s writing partnerships suffered spectacular bust-ups, many of the friendships we’ve featured were relatively harmonious. So it could also be that their frequent lack of drama has cost them newspaper column inches and lengthy entries in literary biographies.

Potentially most insidious, however, it that, unlike the camaraderie of Byron and Shelley, frequently recalled as robustly combative, the professional rivalry of Katherine Mansfield and Virginia Woolf was seen as entirely incompatible with female friendship.

As the year progresses, we’ve increasingly been led to wonder whether the lack of a level playing field lies at the root of it all. Although society has traditionally allowed men to accommodate healthy competition within their relationships, the same has been looked on much less favourably when it occurs between women.

We were able to explore this theory further in our feature for the Independent on Sunday.

In A Room of One’s Own, Woolf claimed that collaborative, intellectual friendship between women was considered taboo. The new feminists who we interviewed, however, were happy to celebrate such relationships. Laura Bates, author of Everyday Sexism, was keen to credit novelist and No More Page 3 campaigner Lucy-Anne Holmes for fuelling her own success. And co-writers of The Vagenda, Holly Baxter and Rhiannon Lucy Cosslett, friends since their student days, have relied on each other during periods when they’ve had to face down misogynistic attacks.

The sheer level of aggression faced by these friends suggests that although such relationships are no longer taboo, female solidarity is considered subversive even today.