Celebrating Past and Modern-day Writing Friendships

Especially over the past year, when we have been hard at work on our joint-book, we have been focusing mostly on historical literary friendships on this blog.

Reading the novels and stories of Jane Austen, Charlotte Brontë, George Eliot, Virginia Woolf and their friends has given us much to think about, as have our conversations about these important literary relationships.

We’ve often been struck by how relevant the issues faced by these authors of the past still feel to female writers today – particularly in terms of the need to balance the desire to write with other pressing responsibilities.

Austen’s great friend and governess to her brother’s children, Anne Sharp, had time to pen her theatricals only in the hours in between teaching lessons.

Before the tremendous success of her first published novel, Jane Eyre, Brontë faced similar struggles.

But just as Sharp benefited from the support of Austen, who did her best to improve her friend’s work life, Brontë was lucky to have the future feminist author Mary Taylor to encourage her literary efforts.

The two of us have been teachers for about a decade now and have thankfully never found it as limiting as Brontë, or even Sharp, did. We have been lucky in that, rather than teaching a broad curriculum, we are teachers only of writing – a subject in which we naturally have a genuine interest.

Nonetheless, there have been times in both of our pasts when, being short of money or eager to get a foot in the door at a particular institution, we’ve taken on too many classes and our own writing has suffered as a result.

This need for authors to try and find the right balance been writing and other aspects of their lives came up at our recent Writing Friendships event at City, University of London, made possible by the generous support of Arts Council England.

Susan Barker
Susan Barker

We were joined by writers Susan Barker, Ann Morgan and Denise Saul – all also former guest bloggers for Something Rhymed. The feeling among the group seemed to be that, although teaching (and teaching writing especially) can provide inspiration for an author, it’s important to fiercely guard your own writing time.

But we all also felt that it was equally important not to cut yourself off from other people. In the talks by Susan, Ann and Denise, audience members were treated to insights about the literary friendships of each woman on the panel.

Ann Morgan - image by Steve Lennon
Ann Morgan – image by Steve Lennon

Ann, the first speaker of the evening, talked about the important bonds she’d forged through her web project and non-fiction book, Reading the World. Susan spoke about the invaluable advice and support she’d received from Liang Junhong, a friend she met while she was living in China and working on her novel The Incarnations. Denise talked about collaborating with other artists as part of a video poem project, Silent Room: a Journey of Language.

Denise Saul - image by Amanda Pepper
Denise Saul – image by Amanda Pepper

Audience member, Rosie Canning, has written up a fuller account of the evening, which you can read here.

We are grateful to Rosie for commemorating the event in this way, and to everyone who came along to support us. We’re sure to be running more Something Rhymed events in the new year, so do keep an eye on our blog for more details.

 

A Legend in Her Time: Harriet Beecher Stowe and Uncle Tom’s Cabin

Here we discuss the final book in this year’s female-friendship-inspired reading list,   Harriet Beecher Stowe’s anti-slavery novel, Uncle Tom’s Cabin.

By the time Stowe extended a figurative hand of friendship across the waves to George Eliot, in 1869, the American author had already made her name with this controversial book – the runaway bestseller of the day. Please click on the video below to hear us talking about what Eliot might have found so inspiring.

All of the female writer writers we’ve discussed in this series of posts and audio interviews – Jane Austen and Anne Sharp, Charlotte Brontë and Mary Taylor, George Eliot and Harriet Beecher Stowe, Virginia Woolf and Katherine Mansfield – will feature in our forthcoming book. We’re still hard at work on A Secret Sisterhood, which will come out in the UK in June 2017 and in the US in the autumn of that year.

We’ll update you on this, and our plans for Something Rhymed in 2017, in next week’s post.

Writing Friendships event at City, University of London

Emma and I have just returned from an enjoyable weekend in Lincolnshire, where some of our readers may recall I used to live in the early years of our friendship.

We’d gone there to teach two friendship-themed writing workshops together. It was fun to be able to take Emma to a few of the places I used to know well, to introduce her to some of my former evening class students, and also for us to meet plenty of other people for the first time.

For those of you who couldn’t make these sessions, we’re delighted to be able to let you know that we have another event coming up next month, this time at City, University of London, where both of us teach on the Novel Studio programme.

city-uol-logo-rgb-dk1aWriting Friendships at City, University of London

As long-term friends who’ve supported each other’s careers from the beginning, we know just how important building strong links with other writers can be. We’ll be joined by Something Rhymed guest bloggers Susan Barker, Ann Morgan, Irenosen Okojie and Denise Saul, who’ll be sharing their own experiences of literary friendship and offering practical advice to new and advanced writers on ways in which they can forge and develop meaningful writing relationships of their own.

Once again, this event has been generously funded by Arts Council England.

When: Wednesday 16 NovemberPrint

Doors open 6.15pm, event runs from 6.30-8pm, followed by drinks reception – a chance to make new writer friends

Where: The Northampton Suite C, City University of London, Northampton Square, London, EC1V 0HB. Details of how to reach the venue appear on this page.

Tickets: Places are free but limited for this event and must be booked in advance through the City, University of London website. You can do this here.

We are grateful to City, University of London and Arts Council England for helping to make this event possible. We hope to see you there.

 

Tales of Two Sisters: George Eliot, Harriet Beecher Stowe and Middlemarch

This year, Emma and I have spent a lot of time thinking about sisterhood – the kind of literary sisterhood we’ve been exploring here on Something Rhymed, and the ties that bind flesh and blood female siblings.

Jane Austen enjoyed a famously close bond with her sister Cassandra. So did Charlotte, Emily and Anne Brontё; and Virginia Woolf and Vanessa Bell.

George Eliot by Frederick William Burton – this image is in the public domain.

Unlike these other writers who will feature in our forthcoming book, George Eliot’s relationships with other family members had been brought to an abrupt end some fifteen years before she began her alliance with Harriet Beecher Stowe. In her mid-thirties, Eliot had begun to live out of wedlock with George Henry Lewes. On discovering this, her sister and half-sister had heeded the warnings of their scandalised brother and cut off all contact. This cruel treatment may have made Eliot particularly happy when she received her first letter from Stowe. In this missive of spring 1869, the American author – who Eliot had never met – addressed her both as a ‘dear friend’ and a ‘sister’.

In Emma’s June post, she talked of reading Mrs Dalloway as a teenager with her sister, Lou. This got me thinking about my own sister, Erica, and the novels we enjoyed when we were young.

I remember us both reading Jane Eyre and  Wuthering Heights, and watching a BBC costume drama of The Tenant of Wildfell Hall, going to the cinema to see Sense and Sensibility, first encountering A Room of One’s Own.

322px-middlemarch_1
First edition title page – this image is in the public domain.

Back then, we often used to talk about the books we read, sharing recommendations. I couldn’t remember us ever discussing Middlemarch, though. Although Erica is a year younger than me, I had come to Eliot’s work considerably later than her and by the time I read the novel we were no longer both living at home.

As I have recently been re-reading Middlemarch, I thought I would ask Erica about her memories of the book. It was a long time since she’d read it, it turned out, so she remembered the atmosphere far better than the intricacies of the plot. The character she recalled best was Dorothea Brooke – the intelligent, deeply pious young woman, whose story (one of several major interlocking plot lines) opens chapter one.

Dorothea struck Erica – who’d read Middlemarch as a teenager in the 1990s – as an amazingly well-developed character, a young woman who becomes locked into a marriage with a with joyless older man, and whose complex personality Erica found interesting on so many levels. It was with a sense of happiness that she recalled meeting Dorothea on the page for the first time and feeling, she said, that she was reading truly great writing.

Well over a century earlier, the character of Dorothea had also captivated Harriet Beecher Stowe and, like Erica, there was a good deal she admired more generally about the book. But Stowe’s letters to Eliot over the period when she was reading Middlemarch, in serialised form, also express her frustration with what she regarded as Eliot’s high-mindedness and her story’s lack of ‘jollitude’.

Reading this time with Stowe’s criticism in mind, I couldn’t help feeling that the verdict was too harsh. There are more challenging passages to Middlemarch, certainly. The book’s Prelude, for instance, grabbed me far less than the first chapter proper, which introduces Dorothea.  Her tale, too, is often sad, but none the less gripping for that. There are also quite a number of light comic moments, many of which I had forgotten. As Erica said, the main impression she retains of the novel is that of an enormous literary achievement – and one to which, having chatted about it with me, she would like to return.

I would certainly encourage my sister to do that. As I have found, on coming back to Eliot’s novel at the age of thirty-six, Middlemarch absolutely rewards a re-reading. Just as Emma and I found when we returned to Jane Eyre some months ago, scenes that made the greatest impressions on me when I was younger are not always the ones that affected me the most now.

This time round, with sisterhood on my mind so much of late, Dorothea’s relationship with her sister Celia is the one that stayed with me the most in between stints of reading the novel. Dorothea is serious, Celia more lighthearted. Dorothea’s mind is always on study and religious matters, whereas Celia is concerned with the day to day world around her. But despite their seeming differences, the two sisters – Kitty and Dodo as they affectionately call each other – could not be closer.

Eliot and Stowe’s personalities were also markedly different, so different that many biographers have doubted that they could really have been friends. Eliot’s letters to Stowe reveal her as the more rational and measured of the pair. Stowe, by contrast, is impulsive, sometimes careless – occasionally shockingly so.

But as the example of Celia and Dorothea reminds us, major differences needn’t be an impediment to friendship. Familial ties were what united the Middlemarch sisters. For Stowe and Eliot, it was the sense that – for all that divided them – they were bonded together by being part of the same literary sisterhood.

Next month

We’ll be discussing Harriet Beecher Stowe’s novel, Uncle Tom’s Cabin, and the impact it had on her friendship with George Eliot.

We’ll also be running two friendship-themed writing workshops in Spalding and Boston (Lincolnshire), on Saturday 15th and Sunday 16th October respectively. We still have some tickets available, so if you would like to reserve a place, do please get in touch with us at somethingrhymed@gmail.com. More information about the workshops can be found here.

Footage of Something Rhymed Salon 3: Genuine Change

For those of you who were unable to make our literary salon series this spring, or for those of you who’d like to relive the experience, please take a look at these film clips of the discussions we enjoyed.

At the third salon, our stellar line-up of guests talked about ways to achieve genuine improvements in diversity in the UK literary scene. To hear their ideas, take a look at clips of Melanie Abrahams, Founder of Renaissance One – a literary events company committed to diversity in the arts; Jill Dawson, Orange Prize shortlisted novelist; Louise Doughty, Costa Award shortlisted novelist and former Booker Prize judge; and Varaidzo, Arts and Culture Editor at gal-dem – an online magazine comprising almost fifty women of colour.

 

 

These films were made by the brilliant Ashley Hall, a former New York University in London student. She also updated this website and designed our banner and posters. Ashley is building up a portfolio for her future career as a media consultant. Get her while you can still afford her! She is based in New York but we communicated by Skype and email. If you are interested in getting a quote from her, feel free to email on ashley.hall@nyu.edu

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Footage of Something Rhymed Salon 2: So-Called Women’s Issues

For those of you who were unable to make our literary salon series this spring, or for those of you who’d like to relive the experience, please take a look at these film clips of the discussions we enjoyed. You can also click on the links below to read write-ups from some of the salon speakers.

At the second salon, our stellar line-up of guests talked about why books by and about women and so-called women’s issues tend to get devalued by the literary establishment. Take a look at clips of journalist and literary critic, Arifa Akbar; biographer and former senior editor at The Women’s Press, Sarah LeFanu; bestselling author, Karen Maitland; and Booker Prize shortlisted novelist, Michèle Roberts to see hear them identify the problems and make suggestions for accelerating change.

These films were made by the brilliant Ashley Hall, a former New York University in London student. She also updated this website and designed our banner and posters. Ashley is building up a portfolio for her future career as a media consultant. Get her while you can still afford her! She is based in New York but we communicated by Skype and email. If you are interested in getting a quote from her, feel free to email on ashley.hall@nyu.edu

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Footage of Something Rhymed Salon 1: VIDA Count

For those of you who were unable to make our literary salon series this spring, or for those of you who’d like to relive the experience, please take a look at this film of the discussions we enjoyed during the first event. You can also click on the links below to read write-ups from some of the salon speakers.

At the first salon, our stellar line-up of guests included Michael Caines, Assistant Editor of The Times Literary Supplement; Maggie Gee, first female chair of the Royal Society of Literature; Harriett Gilbert, presenter of Radio 4’s A Good Read; and Salena Godden, poet, performer, author and host of the Book Club Boutique.

They explored why so many of the UK’s most prestigious literary magazines and newspapers review far fewer books by and about woman than men – as evidenced by the VIDA count. On this film, you will hear our speakers pinpointing problems and suggesting solutions.

This film was kindly made by Sam Cheung, a former student at New York University in London.

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