Long-Distance Neighbours

Inspired by the evolving nature of Margaret Mason and Mary Shelley’s friendship, this month we’re reflecting on the moments of change that we have experienced. As Emily’s post revealed, some long-anticipated forks in the road have ended up continuing to lead us along parallel routes. But we have also stumbled on unexpected cross roads…

Emily and I first became friends when we were both living in Japan: her in a tiny apartment surrounded by carparks and convenience stores; me in a tatami-floored house that looked out onto rice paddies and groves of bamboo. In these very different environments, each of us picked up our pens.

Although we hadn’t yet come out to each other as aspiring writers, Emily and I began at weekends to take the three-hour round trip between her urban flat and my country home. This way, we forged our friendship in both the ice cream parlours of the neon-choked city and in bath houses hidden up dark mountain lanes.

This image is in the public domain.
This image is in the public domain.

But, after just one short season, we each had to decide in advance whether or not we would stay in Japan the following year. By the time the maple leaves had fallen from the trees, Emily had chosen to continue her unofficial writing apprenticeship in Matsuyama, enduring the chill of a second Japanese winter. I set my sights instead on a long trip with my boyfriend, imagining myself penning stories on sun-bathed verandas in Thailand, Vietnam and Laos.

Many messages pinged between the computer in Emily’s Japanese staffroom and the internet cafés I visited in Chiang Mai and Hanoi and Luang Prabang. On the surface, I was having the time of my life. But, although my boyfriend and I journeyed together all the way from Bangkok to Beijing, our relationship was falling apart.

While Emily was continuing to write fiction in between teaching lessons, I wasn’t jotting down much more than an angst-ridden journal. Looking back on it, I see just how easily I could have retreated into solitude during that time. And so I feel especially grateful that my faraway friend kept on making efforts to remain close.

When Emily and I both moved back to Britain, we continued our friendship – each of us, over the years, travelling thousands of miles across country to meet in Liverpool’s underground bars; riverside cafes in York; the walled garden of Ely cathedral; a Cumbrian bunkhouse; Portobello Market; a field in Herefordshire. More often than not, we’d come laden with drafts of each other’s novels that we had annotated in advance.

During those years of long-distance friendship, we anticipated the literary success of one before the other as a fork in the road, just beyond the line of sight.  But, gradually, our writing lives became so intertwined and our vision of ‘success’ so complex and incremental, that jobs and awards and publications no longer felt like junctions that required much navigation.

This image is in the public domain.
This image is in the public domain.

I was delighted when, in 2011, Emily told me that she’d be moving to London. For the first time in a decade, she would live nearby. What’s more, she would be teaching at the same universities as me, so we’d also get to see each other each week at work.

Not long after Emily’s move, we embarked on co-writing literary journalism, sitting side-by-side at the same desk. I was newly single again, so it was all too easy to lose myself in work – especially work with Emily, which was so convivial, and always punctuated with shared meals: cinnamon buns; home-made soups; late-night dashes to the Turkish take-away for shish kebabs in spicy sauce.

But work, however fun, cannot replace a social life. This struck me one evening after a staff meeting, when Emily and I went off our separate ways. I’d come to miss our long-distance friendship, when we saw each other less often but, perhaps, prized our time together more highly.

When I eventually mentioned this to Emily, she immediately arranged a night out to a jazz bar, and we spent the evening listening to music and drinking cocktails and catching up on all those things we’d forgotten to tell each other while sat at a desk side by side.

Singing Each Other’s Songs

As we mentioned in last week’s post, Margaret Mason’s relationship with Mary Shelley – the daughter of her former governess Mary Wollstonecraft – changed dramatically over the years. Thinking about the change in Mason and Shelley’s relationship prompted us to look back on some of the changes that have affected our own friendship.

It’s my great pleasure to be able to talk of this most recent one now…

Some of our readers – particularly those who follow Emma and me on Twitter – will already know that the first of our novels will be published in 2016. I say ‘our’, but I want to make it clear that this is not a collaborative work of fiction.

Owl Song at Dawn is written by Emma Claire Sweeney. Emma is the one who imagined the characters of twins Maeve and Edie, who grow up together in a seaside boarding house and whose lives later take dramatically different courses. Emma created each sister’s distinctive voice – that of straight-talking Maeve and lyrical Edie, whose musical speech patterns are both enthralling and hard-to-fathom. Emma arranged the modern-day and 1950s story strands until they sang as a pleasing whole.

Revealed today: the cover of Owl Song at Dawn
Revealed today: the cover of Owl Song at Dawn

I cannot take credit for any of these things. And yet, because I have known Emma for so long, and because we have had so many conversations about her novel, I do feel that I am a part of the story behind Owl Song at Dawn.

Over the past few years, I have lived in several different places around Britain, and Emma’s novel-in-progress – like her friendship – has accompanied me from home to home.

I remember cooking dinner in the cramped kitchen of my flat at the time, while Emma – who’d come up on the train from London – stood, sipping wine, close by. Owl Song at Dawn existed only in fragments back then – some of them committed in embryonic form to paper, some still only in her mind. Keen not to give away the plot before she was in a position to show me a full draft, she was sparing with details. But as she talked, and I stirred the pan, I started to fit these snippets together until I began to get a fuzzed sense of the novel’s characters and the intriguing connections between them.

I remember us sitting, surrounded by metal railings and creeping honeysuckle, on the balcony of a different flat, us talking through all the notes I’d made on that first full draft. I remember other drafts in another flat, and later, emails flying back-and-forth between us about submission letters to literary agents, and then the book being sent out to publishing houses.

Back in the very earliest days of our friendship, I think both Emma and I assumed that – although we were already such a big part of each other’s writing lives – moments of success like these would be chiefly for one of us alone. While I’m sure we assumed we’d join in with our friend’s celebrations, I doubt either of us imagined just how collaborative those celebrations would feel.

But when Emma called me up on the phone and told me the wonderful news that Owl Song at Dawn had been bought by Legend Press, I felt the same feeling I’d experienced at this year’s Lucy Cavendish Prize ceremony, just a few months ago: that this was an achievement not just for Emma or for me, but for us both as writer friends.

Copyright: Lucy Cavendish College
Celebrating together (copyright: Lucy Cavendish College)

Emma Claire Sweeney’s novel Owl Song at Dawn will be published by Legend Press in July 2016 and is available for pre-order now.

Margaret Mason, Mary Shelley and Mary Wollstonecraft

Mary Shelley, the celebrated author of Frankenstein, needs little introduction, whereas her friend Margaret Mason may be less familiar.

Born into a wealthy Anglo-Irish family in 1773, Margaret King, as she was then called, spent her childhood years in the neo-Gothic surroundings of Mitchelstown Castle in County Cork.

Mitchelstown Castle, now demolished. This image is in the public domain.
The former Mitchelstown Castle, now demolished. This image is in the public domain.

Fate would set her on the path towards friendship with two of the most famous female authors of her era when a new governess-companion arrived at the castle in 1786.

Mary Wollstonecraft, then in her late twenties, was yet to embark on her illustrious career as an author. She was an instant hit with her teenage pupil, but frictions soon developed between the free-thinking English woman and her young charge’s aristocratic mother.

Portrait of Mary Wollstonecraft by John Opie. This image is in the public domain.
Portrait of Mary Wollstonecraft by John Opie. This image is in the public domain.

Unable to hide her disdain for Lady Kingsborough, Wollstonecraft found herself dismissed within the year, but she would leave a lasting impression on her former student. Over the decade that followed – a period during which Wollstonecraft’s radical writings, including most famously A Vindication of the Rights of Woman, were causing a stir – the two remained friendly.

Even after Wollstonecraft’s early death in 1797, following complications during the birth of her daughter Mary, Lady Mountcashell – as King had become on marriage  – would remain an occasional visitor to the home of Wollstonecraft’s widower, the philosopher William Godwin.

She was one of the authors who contributed to his ambitious Juvenile Library book series, tellingly adopting the nom de plume Mrs Mason, after the kindly teacher heroine of Wollstonecraft’s Original Stories from Real Life, her only work of children’s literature. Mason’s own books in Godwin’s series bear the influence of the practical, egalitarian teachings of the woman who was once her governess.

The fictional Mrs Mason - William Blakes's illustration for the frontispiece of Original Stories (1791). This image is in the public domain.
The fictional Mrs Mason – the inspiration for Margaret Mason’s name. The illustration is from the frontispiece of Original Stories (1791), engraved by William Blake. This image is in the public domain.

As a child, Mary Shelley must have regarded Mason chiefly as her father and late mother’s friend, but in later years she became close to her herself. That the two women should have bonded is perhaps unsurprising, since both – like Wollstonecraft before them – had a fierce unconventionality in common.

Despite Mason’s Anglo-Irish background, she played a part in the Irish rebellion of 1798; would don male dress some years later in order to study medicine (her six-foot figure allowing her to pass for a man); and, perhaps most scandalously of all, left her husband and eight children to elope to Italy with her Irish lover.

Interestingly, though, when Wollstonecraft’s daughter defied her father by fleeing abroad with the married Percy Bysshe Shelley in 1814, Mason was disapproving.

Following the suicide of Percy’s wife, Harriet, the Romantic poet was eventually able to marry Mary in 1816. Two years later, when the couple visited Mason’s home in Pisa, she introduced them to her social circles and helped them to set up a home in the city

Portrait of Mary Shelley by Richard Rothwell. This image is in the public domain.
Portrait of Mary Shelley by Richard Rothwell. This image is in the public domain.

When Shelley – by then the author of Frankenstein – went through a bout of serious depression following the deaths of her two children, Mason’s support and medical knowledge proved invaluable.

Relations between the two were not always rosy – Shelley, for instance, was saddened by Mason’s apparent coldness after the death of her poet husband – but the two still remained essentially on good terms. In fact, knowing of the widowed Shelley’s unhappiness, Mason counselled her friend to return to England and even supplied her with most of the funds to make the journey – a sum which Shelley could repay, she said, should she ‘ever grow rich’.

The pair continued to correspond by letter until Mason’s death in 1835. Though today Mason’s books are not well-known, she continues to be remembered for the fascinating personal link she provides between two of history’s most significant literary women.

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Margaret Mason’s relationship with Mary Shelley changed significantly over the course of their lives, as Shelley matured from a girl into a woman. This month, we will each look back on a significant change that has affected our own friendship.