The Pain of Parting from Friends

Half a year of social distancing has lent us a new perspective on our writing, our friendship and the future of both…

Emily and I enjoyed an alfresco Vietnamese lunch recently – the first time we’d seen each other in person for over six months. Even during those periods when we lived in different countries or continents, we’d never let more time lapse between meetings than this.

Emily and Emma reunited in London on an unseasonably warm autumn day

Back in December 2019, Jonathan and I moved to a new house, closer to Emily and her family. Early in the new year, Emily came over to this new house, and here we workshopped a draft of her new book, and later had dinner with another writer friend. Not long afterwards, I babysat eight-month-old Lola so that Emily and Jack could go out for dinner on their wedding anniversary.

On each occasion, we marvelled at the newfound ease of train travel between our homes, and we were looking forward to spending even more time together. Never could we have predicted that the short distance between us would become so difficult to bridge.

When we did eventually manage to meet again, we talked for hours over bowls of pho and duck curry, and it felt almost possible to forget the pandemic. But socially distancing across our outdoor dining table was a far cry from the desks behind which we so frequently squeezed as we looked at the same age-faded letter or shared the same screen while working on A Secret Sisterhood

Much as we both miss those days when we occupied ‘a room of one’s own to share’, as we once called it, the past months of enforced separation have also given us the space to look at our writing lives with a new sense of perspective.

We’ve come to appreciate just how much our joint work on female literary friendship has shaped the separate projects that engage each of us now.

Emily will soon be turning in the final edits of her new non-fiction book, Out of the Shadows: Six Visionary Victorian Women in Search of a Public Voice, which will come out in May 2021. She caught a first glimpse of this transatlantic network of female spiritualists when reading unpublished letters from Harriet Beecher Stowe to George Eliot for A Secret Sisterhood.

Similarly, my new novel took shape as I researched the life of Virginia Woolf. And my longstanding belief in the value of mentoring has only been reinforced by the number of writers we’ve featured here who have benefited from such arrangements: Elizabeth Bishop and Marianne Moore, for instance, Katherine Anne Porter and Eudora Welty, Zora Neale Hurston and Dorothy West.

The Ruppin Agency Writers’ Studio

Much as our current literary ventures may have sprung from the same source, they are taking us in new directions, separately and together, as writers and as friends. And so, during these months of sequestering ourselves away in our individual studies, we’ve immersed ourselves too in different psychological spaces.

Something still rhymes, of course: between the writer friends featured on this site; between its community of editors, contributors and readers; between Emily and me. But during that meal we shared, between sips of green tea, we agreed that we needed to give this new stage of our writing lives greater space to grow. Just as important, we both want to nurture this next phase of our friendship – and we want to do this offline. And, so, after much consideration and with not a little regret, we have decided to bid this site farewell.

As we say goodbye, we’ll leave you with the words of Jane Austen – one of the first authors we featured on Something Rhymed:

“But remember that the pain of parting from friends will be felt by everybody at times, whatever be their education or state. Know your own happiness. You want nothing but patience; or give it a more fascinating name: call it hope.”

We’d like to take this opportunity to thank all the writers who have contributed to Something Rhymed, all its readers who’ve created such a vibrant community, and, especially to our editors Kathleen Dixon Donnelly and Clêr Lewis, without whom we could not have kept Something Rhymed going for so long. You can join Kathleen’s own literary community over on her site, Such Friends. And do watch out for Clêr’s first novel All the Captured Shadows, which she is in the midst of drafting.  

We’ll be keeping this site online to maintain an archive of female literary friendship, and you’ll still be able to post comments.  

Do keep in touch. You’ll still find Emily on Twitter, Instagram and her writing website, and Emma is on Twitter, Facebook and has her own website too.  

Sheer Good Fortune

As regular readers of Something Rhymed may have guessed, Emily and I have been busy these past months working on other projects.

I’ve become Director of The Ruppin Agency Writers’ Studio, which offers mentoring by authors and agents to writers of fiction, narrative non-fiction and YA.

Emily has been holed away in the rare books rooms of various libraries, researching a transatlantic group of Victorian clairvoyants for her new book Out of the Shadows, which will be published by Counterpoint Press.

And we’ve both made significant changes in our personal lives too…

When Emily and I launched Something Rhymed back in 2014, we published a post on Maya Angelou and Toni Morrison – writers whose friendship combined from its inception the personal and professional, the celebratory and consolatory.

These legends of American letters grew close when they shared a bill at the Hay Festival in Wales during a time when both women were concerned about their mothers who were ill back home. In the decades since then, these ‘sister friends’ moved seamlessly between the public and private aspects of their friendship, paying tribute to each other’s literary accomplishments at huge official gatherings but also talking about family over dishes of Angelou’s fried chicken or wedges of Morrison’s carrot cake.

It was just such a combination of intimacy and admiration, celebration and consolation that prompted Angelou to help put on an event to honour her fellow author during a period when she knew that Morrison needed to be shown love and comfort following the death of her son.

The event was poignantly titled Sheer Good Fortune after the dedication Morrison had made to her boys at the beginning of her novel Sula: ‘It is sheer good fortune to miss somebody long before they leave you’. And now, in the wake of Morrison’s recent death, such a sentiment feels particularly resonant.

Back at the Hay Festival in 2014, Morrison announced from the stage they’d once shared the sad news that Angelou had died. Emily and I, sitting in the audience side by side, promised each other to follow their example by not only continuing to offer each other solace during dark times but also to celebrate each other privately and publicly, professionally and personally.

Over the years, Emily and I have been there for each other during bereavements and breakups as well as periods of professional and financial uncertainty. This only heightens the pleasure we’ve taken in the sheer good fortune each of us has experienced of late.

I will never forget the excitement in Emily’s voice when she called to let me know that she was expecting a baby. And then, not long afterwards, when we were in a tiny French restaurant in Earl’s Court marking both her pregnancy and her birthday, she shared her news that she and her long-term partner Jack had got engaged on the steps of St Paul’s Cathedral.

A few months later, when I was delivering bourguignons, curries and Spanish stews to Emily’s flat in preparation for the weeks following the approaching birth, I told her about my partner Jonathan’s proposal to me and mine to him on a hillside overlooking a market town in Shropshire. Once I’d stocked up Emily’s freezer, we headed back to Earl’s Court, this time to one of our favourite coffee houses. There, we celebrated my engagement to Jonathan and Emily’s marriage to Jack and her pregnancy alongside a female friend we’ve  known since our days as young English teachers in rural Japan.

Wedding shoes – Emily & Jack getting married
The spot where Jonathan and Emma proposed to each other.

 

 

 

 

 

 

 

Emily and I had dedicated our co-written book A Secret Sisterhood to Jack and Jonathan – a strange choice, perhaps, for a book on female literary friendship, but it felt fitting to us since our partners had always appreciated the importance of our own writing friendship, and had supported it at every turn. In our Acknowledgements, we thanked Jack and Jonathan for ‘keeping us well fed during long stints in our studies, and, most of all, never failing to be there when we emerged’.

No sooner did Emily and I emerge, however, than we each went back into hibernation – separately this time. Although we are no longer editing at a shared desk, sustained by Jack’s late-night dashes to the local kebab house or breakfasts with Jonathan at the greasy spoon, the four of us have found new ways to offer each other personal sustenance and professional support.

Emily and I have gone back to reading each other’s drafts, for instance, with a freshness and curiosity that was impossible when we’d already pored over the research materials side by side and laboured together over chapter plans.

And, when Jonathan and I set up The Ruppin Agency Writers’ Studio – a development scheme for writers of fiction and narrative non-fiction – Emily was one of the first people I asked to join our nationwide line-up of mentors. I know first-hand, of course, the quality of her feedback and the dedication she shows to other writers. Like me, Emily is originally from the north of England and we’ve both supported friends and family with access needs, so Emily shares our belief in making mentoring accessible across the country in person and via videocall, and she understands why we are committed to offering a free spot to someone of limited means. Like me, back when Emily was unpublished, she benefited from a period of mentoring by a more established author. Now that she is bringing out books on both sides of the Atlantic, she’s as keen as I am to offer other writers similar opportunities.

During a summer spent largely setting up The Ruppin Agency Writers’ Studio and continuing to work on my new novel, my friendship with Emily has offered me the most joyful of excuses to escape from my writing shed. During my first meetings with baby Lola, I have enjoyed rocking her to sleep in the nursery, pushing her pram through the park and chatting with Emily about everything from marriage to mentoring, motherhood to manuscripts. And, over the years to come, I’ll look forward to helping Emily teach her daughter what creative women have always known – that together we are greater than the sum of our parts.

Emily and Lola

Emily will be on maternity leave for the rest of this year, but I will continue to run Something Rhymed after its summer hiatus.  

We are looking for female writing friendships to feature on the site from October onwards. Please do take a look at our submission guidelines and get in touch if you’d like to pitch an idea.

It would also be lovely to hear from any of you who might be interested in the following literary projects I’ll be involved in over the coming months:

You can apply for all the mentoring and editing packages offered by The Ruppin Agency Writers’ Studio via its website, or direct any queries to studio@ruppinagency.com. The deadline for the selective scheme (including the free spot) is 5pm on Monday September 2nd but we accept ongoing applications for all other packages.  

Booking is now open for my one-day novel writing courses at the gorgeous Cambridge Writing Retreat. On Saturday October 19th, we’ll be asking what ‘Show Don’t Tell’ really means. And on Saturday November 23rd, Jonathan will join me in his role as literary agent to help writers work out what steps to take once the crucial first draft is complete.

And do save Saturday October 26th for the University of East Anglia’s Doris Lessing centenary celebration. I’m looking forward to sharing more stories about Lessing’s friendship with Muriel Spark during my conversation on stage with Rachel Cusk and Lara Feigel. This event also includes access to UEA’s Doris Lessing 100 exhibition, which contains archival material on display for the very first time.