Nothing New Under the Sun

When Emily and I set up Something Rhymed, we were keen to find out whether Jane Austen enjoyed the support of a fellow writer. Perhaps she got to know Frances Burney or Maria Edgeworth, older authors whom we knew she admired. Sadly, we found no evidence of her meeting either of these novelists. But, in the pages of Claire Tomalin’s biography of Austen, we came across a fleeting reference to a rather more surprising literary friend: Anne Sharp, a governess employed by Austen’s brother, who penned plays in between teaching lessons.

Among the thousands of books about Britain’s favourite author, we felt sure that another biographer or academic would have delved deeper into the history of this unexpected relationship. After ploughing through every single book on Austen in Senate House Library, however, we discovered only a little more. Ever optimistic, we cast around for monographs, journal articles and papers delivered at the annual Austen society conferences. Again, we came across only a few more morsels of knowledge.

Finally, we consulted the surviving letters and diaries of Austen, her family and friends. We didn’t honestly expect to find much in these papers since most of them have already been scoured over by Austen experts. There surely couldn’t be anything new to say about a novelist on whom millions of pages had already been written.

But, much to our surprise, we found a cache of unpublished material that contains plenty of references to Sharp. And even the well-consulted documents reveal far more about this transgressive friendship than we could have predicted: a story full of rebellion and subterfuge.

Shining a light on the hidden web of female literary friendship. Creative Commons License.
Playing the part of literary detectives, we worked out that Austen’s family disapproved of the friendship between employer and employee. What’s more, we began to suspect that Austen had gone behind the backs of her relatives – putting her friend’s needs above their wishes.

We plan in the future to write in greater detail about this defining moment in their friendship, and our quest to uncover it. But here’s a potted history of our version of events:

Two years into her employment at Godmersham Park, Sharp began to receive unwanted advances from Austen’s brother. The governess risked divulging this information to her friend in the hope that Austen might put their bond above her sisterly loyalty.

Together, the women hatched a plan. Austen secretly wrote a reference for Sharp to help her get a job elsewhere. The governess told her employer that ill-health prevented her from continuing to work – a story that no one overtly questioned despite Sharp immediately taking up an equivalent post elsewhere. But Austen’s sister-in-law must have smelt something fishy since she later recruited an elderly widow to replace the young, attractive Sharp.

Despite the Austen family’s resistance, the friendship between the two writers endured. And Austen even managed to persuade her mother and sister to welcome Sharp into their home for extended visits. We were particularly taken by the community of women that Austen battled to create, because ever since setting up Something Rhymed we too have felt grateful to belong to a sisterhood of readers and writers – albeit online.

I must admit that, back when we set up this site, I was rather sceptical about whether friendships could really be forged in cyberspace. The warm sense of support and lively exchange we’ve enjoyed with so many of you from around the globe – people who were strangers just eighteen months ago – has caused me to rethink this assumption.

When Emily won the Lucy Cavendish Prize, for instance, one of the unexpected joys of her success was getting to share it with all of you. Neither of us could have realised just how much the online celebrations would deepen the joy we’d both felt at the awards ceremony. But perhaps it shouldn’t have come as such a surprise that our site dedicated to friendship should have extended our own circle of friends.

In Praise of the Spinster

When we decided on this month’s challenge, I knew straight away which of our profiled authors I would like to raise from the dead.

Even Jane Austen couldn’t sway me from beyond the grave, although it was a Wordsworth £1 classic edition of Emma that, as a young teenager, initiated me into the world of female authorship. I don’t need to conjure up Austen’s ghost to enjoy her dry humour, and her face – with which everyone in Britain will become intimately acquainted once the new £10 banknote is issued – was recorded for posterity by her sister Cassandra.

Creative Commons license.
Creative Commons license.

Although Austen’s family destroyed much of her correspondence, the writer with whom I would love to make contact is far more of an enigma: all her literary works have been lost and her portrait was likely never painted.

Anne Sharp, the amateur playwright so valued by Austen, has been silenced for centuries. The intelligent, spirited voice of this governess in the employment of the Austen family has survived only in snippets. But when she does speak up across the ages, for example in Austen’s records of Sharp’s feedback, her astute critical faculties make us sit up and take note: here was someone who read with sensitivity and, despite the mighty class divide, felt at liberty to express her thoughts.

Perhaps it was this outspokenness that led Austen’s nephew to describe Sharp as ‘horridly affected but rather amusing’ – a phrase that brings to mind a neighbour’s portrayal of Austen as the ‘silliest, most affected husband-hunting butterfly’.

Like Austen, Sharp never did wed although marriage would have been the surest path to financial security. Unsurprisingly, little was recorded of Sharp’s romantic history. But we do know that her famous friend turned down a proposal from a wealthy man, and engaged in at least two other romantic liaisons. Yet the pernicious myth persists that Austen was too plain to attract suitors.

I once dragged a new squeeze to see the original portrait of Austen during a first date at the National Portrait Gallery. We failed to find anything unattractive in her appearance and I couldn’t help but feel that her alleged plainness would never have caught on had she not remained single. Cassandra actually described Austen as ‘triumphing over the married women of her acquaintance, and rejoicing in her own freedom’ – an image that complicates the prevailing notion of her romantic suffering.

Talking about Jane Austen and Anne Sharp at this year's Ilkley Literature Festival
We talked about Jane Austen and Anne Sharp at this year’s Ilkley Literature Festival

While Sharp’s single lifestyle would also have afforded her certain freedoms, it must have been a hard slog too – much more so than for Austen, whose only household responsibility was the preparation of tea and toast. After years of earning her crust as a governess for various wealthy families, she managed to set up her own boarding school in Everton. She spent the rest of her days in this area, living in York Terrace – a relatively prosperous street with views across the River Mersey to my hometown of Birkenhead.

I would love to learn from this working woman how she managed to do so well from such humble beginnings, and whether she ever considered giving up her independence and her toil for the perhaps easier option of marriage.

Perhaps my subconscious had been trying to tell me something when I dragged that poor date to view the painting of Austen: it was, in part, her independence that allowed her to pen those much-loved novels warning against ill-judged marriages. And it is her friend Anne Sharp – whose portrait I will never see – whose example reminds me that it was possible, even then, for a woman to make her way, ‘rejoicing in her own freedom’.