Unlike Maya Angelou and Toni Morrison, or Katherine Mansfield and Virginia Woolf, there was a huge disparity in the worldly successes of this month’s featured writers.
Although Anne Sharp wrote plays for her students to perform, and was able to use her sharp critiquing skills to give Jane Austen advice on her work, she has gone down in history as little more than a footnote in the life story of her illustrious friend.
We cannot know whether Sharp ever felt envious of Austen’s achievements, and the fact that her work had the chance to reach an audience far wider than her immediate social circle. Neither would we go as far as speculating that she could have been another Austen-in-the-making if life had dealt her a different hand of cards.
It is interesting to wonder, though, whether the governess might have attempted to pursue any similar ambitions if her family and financial circumstances had been different.
What we do know is that, despite their contrasting levels of commercial success, each woman rated the other. Sharp celebrated the publication of Austen’s novels along with her, but was also ready to tell her friend when she felt there was a flaw in the work – advice that Austen appears to have highly valued.
It’s nice to imagine that her decision to rename her novel First Impressions as Pride and Prejudice was her way of acknowledging in print the crucial support she’d received from Sharp.
It’s a notion that might mean something to last week’s guest bloggers. Antonia Honeywell and Rachel Connor discussed the pride they take, not just in each other’s creative output, but their long-running writing friendship too.
Antonia’s comment on the publication of Rachel’s first novel (ahead of her own book deal with Weidenfeld and Nicholson) was one that really struck home with us. ‘It felt like a great triumph not only for Rachel,’ she recalled, ‘but for the dedication with which we both carved out the time for our regular exchanges of work.’
As we’ve mentioned before on Something Rhymed, our own career trajectories have gone along roughly in tandem so far, but there is bound to be a point when – if only temporarily – one of us will accelerate past the other.
When that happens, we hope we can learn from the example of Antonia and Rachel, and Austen and Sharp too – that we will be able to enjoy this joint success for our writing friendship, rather than focusing on any perceived gulf that divides us as individuals.
We’re currently enjoying the BBC Radio 4 series Five Hundred Years of Friendship – episodes available to listen to on-line.
We’ll be moving on to the next profiled writers on Tuesday. We were advised to look into the friendship of Vera Brittain and Winifred Holtby by many of our readers, so we particularly look forward to sharing what we’ve discovered about them.
We’re still actively researching female writer pals, so do keep letting us know, by leaving a reply or Tweeting one of us, if there is any particular friendship you’d like to see profiled.