We were intrigued by Oriel Malet’s account of how she met Daphne du Maurier. In this month’s guest blog, two modern-day writers, Yen Ooi and Denise Saul, share their story of how they first became friends.
Yen: I spotted Denise at a writing masterclass nearly three years ago. There, we talked about characters, plot, tricks and tropes. I thought she was a fiction writer like myself, and only found out about her love and skill at poetry a little while later. On our first meeting, she seemed so serious and unassuming with her flask of tea and packed lunch. She still is, though I’m getting more of a glimpse of what drives her passion, and what riles her.
Our friendship grew slowly but surely with occasional coffee meet-ups and more writing classes. We talked mostly of our (surprising) shared interest in all things horror and fantastic. Though Denise definitely has a stronger stomach than I do, we are both intrigued by the horror stories that cultures present: today, in the past, at home in London and from our heritage. This side of Denise makes me smile, as it feels so different from her serious side: the poet.
I watched Denise at a poetry event earlier this year at The Poetry Cafe. The evening was pleasant and the people really warm. The basement, filled with poets, audience, family and friends, made it seem like a welcoming house party, where the entertainment was artistic, cultural and distinctive. Denise came on after the interval, and she read with grace and control. Her poetry painted vivid pictures of people and places that brought comforting smiles to our faces, yet they touched us with a sense of reality that demanded attention.
Many of us hide behind our writing, conjuring a new self from the words we make up, but Denise shows me through her work that it is possible to be true to yourself in your writing. And most importantly, that it is ok to do that.
Denise: Yen and I first met at a fiction masterclass about three years ago. I remember her as the most serious writer in the group as she was focused on typing up her notes in the session. We had a chat afterwards about speculative fiction. It was evident that Yen was a natural storyteller. She has the ability to shift her stories from London to other places such as Malaysia or Japan.
We’re both fans of science fiction and horror. A year ago, Yen invited me to the science fiction convention, Worldcon, where she launched her novella, Sun: Queens of Earth, and also acted as a panellist in the same afternoon.
She is a multi-tasker who can work on several writing projects at the same time. It’s a quality that I admire because she always finds time to start her own projects and also help other writers with their writing strategies. Yen always has a number of projects on the go and yet always completes them successfully. It’s easy to see why she has such drive and passion for whatever she does. I recently found out that Yen is an accomplished musician who started playing the piano from the age of three.
I can understand why she sees herself as “a creator, thinker and do-er” and my first impression of Yen was that she embraces refreshingly new ways of literary thinking.
Yen Ooi’s second book, A Suspicious Collection of Short Stories, Poetry and Drawings will be published in July 2015. More information on Yen’s writings can be found on yenooi.com.
Denise Saul is a poet and academic. Her work can be found at www.denisesaul.co.uk