A Class Act
Jacqui: I first met Louise twenty years ago, at the University of East Anglia, on a photo shoot for the Sunday Telegraph. We had both studied there, for our MA in Creative Writing under Malcolm Bradbury, but in different years.
It’s a moody photograph (the photographer told us ‘don’t smile, you’ll look stupid’) but the actual mood was celebratory. Louise was wearing a sleeveless polka dot dress and had a brilliant suntan. She looked very stylish and cool. We were both excited about the publication of our first novels. Louise’s was already out and mine was about to appear. I still couldn’t quite believe that I was about to be published by Hamish Hamilton and was mixing with other published authors.
Louise: Jacqui struck me immediately as enviably calm and serene. We swapped notes on being students on the UEA MA and how neither of us felt regarded as the stars of our year – we laughed about that, and about how we were tortoises rather than hares.
The Polymath and the Will of Steel
Jacqui: Louise has been more focussed than me over the years, in terms of her writing, whereas I’ve been more distracted by entrepreneurial ventures, such as setting up my business coaching writers, but also by other art forms, returning to my love of drama and even having an interlude training to be a drama teacher. Right now, for example, I’m developing the business, finishing a second draft of a play, in discussion with a filmmaker and attending screen acting classes. Louise is focusing on her latest novel full-time. Some of this relates to financial decisions, but I think it’s also about our character types. She has a will of steel and I can’t stop myself diversifying.
Louise: Jacqui is more of a polymath than me: she’s much more plugged in to social media, has trained as a coach and run her own business. I’ve focused very much on the novels and although that’s paid off to a certain extent I think her life is more interesting and varied than mine.
The Unrest Cure
Jacqui: One dinner that particularly stays with me was the night when I told Louise I was planning to train as a secondary school drama teacher. In the end, it was only a two year interlude, but it felt hard breaking the news that I was going to do something so different and apparently out of character. I was ready for a change, what Saki calls the ‘unrest cure’. I wanted to give something back to young people, to be more ‘out in the world’ but I remember, at that time, also feeling somewhat jaded with the literary world and saying ‘but what would you do?’ I don’t think Louise had an answer but I imagine she was thinking ‘I’d rather starve in my garret than do something as crazy as that!’ But she was gracious enough not to try to hold me back from something that I so clearly wanted to do. Those two years, in fact, served to remind me how vital writing is in my life; how impossible it is for me to do without it.
Girl Novelists’ Dry Martini Club
Louise: At one point, just for a laugh, we formed something called the Girl Novelists’ Dry Martini Club. There were five of us and an agreement that whenever one of us signed a book deal, we would all go out for martinis. It started out as just an in-joke between a group of friends but it got picked up by the media – I think I mentioned it on Radio 4’s Midweek – and the next thing we knew it was mentioned in articles and we received letters from women asking if they could join. I thought it was a hoot when the Club made it into Jacqui’s satirical novel The Modigliani Girl. Almost every aspect of writing and the writing world gets satirised in that book.
Jacqui: Louise introduced me to the novelist Charles Palliser at a reading we did together. I was awestruck because an old beau of mine had bought me a copy of Charles’ novel The Quincunx so it was clearly the book to have! Meeting Charles, who had real literary kudos, made me feel incredibly grown up, but more importantly, he is now a genuine friend, whose devotion to writing and books never fails to inspire. In turn, Charles introduced me to a number of other writers and we still meet for an annual dinner each January at Louise’s home and talk about the year we’ve had, sharing the ups and downs of the writing life – and indeed, of life beyond writing.
Louise: This writing group is Silent 3 (don’t ask me why it’s called that, no idea), which was set up by Robert Irwin, a renowned Arabic scholar who also writes science fiction. The group used to be very large and meet in a pub in central London once a month but has shrunk to a hard-core now and every January we all have dinner at my house and review our writing years – another member brings the food and I do the long table etc.
Louise: When I look back over the twenty years I’ve been publishing, it strikes me just how essential my writing friends have been: my other close writing buddy is the novelist Jill Dawson, but along with her and Jacqui there is a wider circle of writing friends, mostly women but not exclusively, who I feel I have really grown up with. Those friends are incredibly important, partly because you know each other’s personal and domestic lives as well, but also because you know that the successes are hard-fought for and well-earned and the disappointments often arbitrary. A writer’s life is such a rollercoaster of success and disappointment that it’s invaluable having friends that will understand and support you whatever part of the ride you are on. Friends are far more important, at the end of the day, than finding an agent or a publisher.
Louise Doughty is the author of seven novels including Apple Tree Yard and Whatever You Love, which was shortlisted for the Costa Novel Award and longlisted for the Orange Prize for Fiction. She is also a critic and cultural commentator and broadcasts regularly for the BBC.
Jacqui Lofthouse is the author of four novels including Bluethroat Morning and The Modigliani Girl. She runs a mentoring and literary consultancy service for writers The Writing Coach.
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