Zora Neale Hurston once invited her friend Marjory Kinnan Rawlings to give a lecture to her university students. For a time, they shared a publisher too. Like this month’s profiled pair, the bond between authors Tania Hershman and Vanessa Gebbie is both personal and professional. In September’s guest blog, they tell us about the public and private faces of their friendship.
Science Museum café, London, and a mouse scoots across the floor. T and V have just met face to face for the first time, having emailed for a while. How to react? There are a few seconds of silence, then two sets of giggles. A serious meeting (on our way to an event about writing short stories with science at the Dana Centre) plus laughter. That sets the tone for a friendship that is now in its eighth year.
It began with generosity across continents – V, in the UK, emails to congratulate T, in Israel, for winning first prize in a flash fiction competition in which V wins second prize. It progressed to sharing the writer’s journey, ups and downs alike.
We were both at the start of our publication careers and decided to deal with it all with honesty, not hiding how many rejections our short stories were getting, even going so far as to set up a joint blog in 2007 documenting all our submissions statistics – acceptances, rejections, earnings.
This underpins our connection – honesty in sharing work, in giving feedback. Our writing styles are, of course, different, as are our approaches to teaching, but we believe in the No-Rules Rule – we apply it to each other and to everyone else we come into contact with.
We give each other permission to try anything, to take risks, to be a different kind of writer from the one we were yesterday, or last year. We are always trying something new, challenging each other – T inspires V with science, V has lured T into joining her WW1 obsessions through her annual writing group trip to The Somme.
We are both currently experimenting with poetry, sending each other poems-in-progress, wanting not just ‘Oh this is wonderful’ but ‘I think you don’t need this word/line/stanza’ too. We also share teaching techniques – and have taught workshops together.
We’d be firm friends whether or not we were writers, but writing definitely provides some great highs. We’ve both had the joy of being there when the other has received fantastic news – T’s first short story collection, V’s first novel. Each other’s successes lift us both.
We have been fortunate enough to win some prizes, get some awards and residencies, and we make sure that we allow ourselves to celebrate – which is not always easy for writers with a tendency towards introversion – but we both hate complacency and won’t go there, ever!
Eight years later, we live in the same country, though several hours apart, and we see each other more regularly. Wherever we are, the phrase that always gets uttered (mostly by V) is: ‘Shall we write?’ And we always do, not just at home, but in cafés (where cake somehow manages to make an appearance), parks, railway stations.
The Science Museum café might have altered its menu. The mouse might not be with us any more. But some things don’t change.
Tania Hershman’s latest short story collection My Mother Was an Upright Piano is published by Tangent Books.
Vanessa Gebbie’s novel The Coward’s Tale is published by Bloomsbury.