After reading our recent guest blog by Sarah LeFanu and Michèle Roberts, writer and 3:AM fiction editor Joanna Walsh got in touch to tell us about her friendship with writer and critic Lauren Elkin. In this month’s guest blog, the two share some thoughts on the things that make their relationship work…
Joanna and I went to the Latitude festival together a while back. She was part of the festival, doing some kind of craftsy thing in the woods that involved making capes out of cellophane and spraying synthetic snow on them. I don’t remember why.
Joanna is a performance artist before anything else and she likes to make things. I am a critic and a writer, a dealer in abstractions. She makes the stuff herself. I admire that about her.
At this particular festival, it rained so hard and there was so much mud that we had to drink a lot to cope with it. We sat on a tree trunk masquerading as a bench, I think we probably put plastic bags down so we wouldn’t sit in the wet, and we drank beers, and talked about Lacan and Freud and twee Britannia, while all around us frolicked the fine fleur of British youth.
I was miserable, wet, and hungry. Joanna, when she is those things, gets kind of rascally, and makes it all much more bearable. Dinner was some chips, consumed while some boys we met recited ‘The Dream of the Rood’ in Old English. We drank even more. And then we camped.
My inevitable hangover the next day was so bad Joanna had to get the festival’s medical services to peel me off the floor of our tent and install me on a cot next to where Anna Calvi played a thudding set that seemed to go on for hours.
Because of my migraine we missed our train back to London and had to spend the night in nearby Southwold. A lesser friend would have wanted to kill me. But instead, as I recovered, Joanna and I walked next to the angry Northern Sea talking about Sebald and camping shoes and gastropubs and penis-bearing know-it-alls and how I really, really need to eat dinner when I’m drinking.
All of this has nothing and everything to do with why Joanna and I have an enduring friendship that both is and isn’t sustained by the fact that we’re both writers.
I don’t know what else to say about this except that as I told her last night, I feel like for someone to get me, they have to know her.
Lauren Elkin (left) and Joanna Walsh at their recent event at the Shakespeare & Company bookshop in Paris.
So here we are, Snow White & Rose Red, Dorothy and Lorelei, Flaubert’s blonde and brunette (who are exactly like redheads, of course, so what’s the difference?). Lauren’s from the US, I’m from the UK (Lauren’s now French). Lauren’s a critic who writes fiction; I’m a writer who also reviews.
There’s enough distance (I think). There’s tension, but it’s the right kind of tension. We read each other’s work before publication, well, some of it. She reins me in when the rhetoric threatens the logic, or I’m just going off on one. She can tell me I’m wrong without our falling out (so far).
We both like to read, and drink, and look at expensive clothes we don’t buy. We have some of the same lipsticks, and a lot of the same books. We give each other our duplicate copies.
I’ve chaired her at events and she’s chaired me. I always wonder whether we’ll forget we’re in public and start talking about something private: it’ll happen one day…
When things are good, when things are bad, she’s the person I want to talk to: she knows it all. One day we’ll write something together. And we’re just as likely to talk about books behind closed doors.
Lauren Elkin’s next book, Flâneuse: Essays in Wandering, will be published by Chatto & Windus in 2016.
Joanna Walsh’s memoir / essay collection Hotel was published by Bloomsbury this year.